Opera reviews
Voices, orchestra, staging, acoustics: audience members describe their nights at the opera.
MyCritik publishes opera reviews written by the audience: for each performance, an overall rating out of 5, a written review and detailed ratings for the voices, the orchestra, the staging, the sets and costumes, and the acoustics of the venue.
Core repertoire, baroque opera, new works, operetta or concert performances: choose your town or city below to see the operas scheduled, or search for an opera house. Each page shows the production’s average rating and the venue’s rating.
At the opera, the same work can make for very different evenings. The review criteria help you understand what struck the audience:
- Voices: was the cast on the night up to the task?
- Orchestra: conducting, precision, balance with the stage;
- Staging: traditional, updated, daring… and convincing?
- Acoustics: depending on your seat, the experience changes a great deal.
You don’t need to be a seasoned opera-goer to give a review: an honest account of a first opera is invaluable for those still hesitating.
Just out of a performance? Review the opera in a few minutes, with or without an account.
Opera by town
- Paris · 130 coming up
- Bordeaux · 60 coming up
- London · 49 coming up
- Nantes · 29 coming up
- Toulouse · 24 coming up
- Versailles · 15 coming up
- Dijon · 13 coming up
- Toulon · 9 coming up
- Massy · 8 coming up
- Mérignac · 4 coming up
- Saint-Dizier · 4 coming up
- Ollioules Cedex · 3 coming up
- Saint-Maur-des-Fossés · 3 coming up
- Épinal · 3 coming up
- Châlons-en-Champagne · 2 coming up
- Floirac · 2 coming up
- Marseille · 2 coming up
- Poissy · 2 coming up
- Rennes · 2 coming up
- Scarborough · 2 coming up
- Troyes · 2 coming up
- Villenave-d'Ornon · 2 coming up
- Alençon · 1 coming up
- Angers · 1 coming up
- Aucamville · 1 coming up
- Beziers · 1 coming up
- Bougival · 1 coming up
- Bourges · 1 coming up
- Caluire-et-Cuire · 1 coming up
- Carcassonne · 1 coming up
- Chalon-sur-Saône · 1 coming up
- Châtenay-Malabry · 1 coming up
- Clermont Ferrand · 1 coming up
- Derby · 1 coming up
- Erquinghem-le-Sec · 1 coming up
- Gap · 1 coming up
- Gradignan · 1 coming up
- Haubourdin · 1 coming up
- La Côte-Saint-André · 1 coming up
- Lisieux · 1 coming up
- Lyon · 1 coming up
- Maurepas · 1 coming up
- Meudon · 1 coming up
- Miramas · 1 coming up
- Montigny-le-Bretonneux · 1 coming up
- Neuville-en-Ferrain · 1 coming up
- Newbury · 1 coming up
- Pacé · 1 coming up
- Plabennec · 1 coming up
- Précigné · 1 coming up
- Rouen · 1 coming up
- Sheffield · 1 coming up
- St Dizier · 1 coming up
- St Quentin Yvelines Cedex · 1 coming up
- Ste Savine Cedex · 1 coming up
Frequently asked questions
Where can I read opera reviews written by the audience?
On each production’s page on MyCritik, with the average rating and audience reviews for each performance. They complement press reviews with an audience member’s perspective: emotion, how clear the staging is, comfort and view depending on the seat. The most recent reviews are shown first.
When should you applaud at the opera?
Traditionally, the audience applauds when the conductor comes in, after the big arias, at the end of each act, and then at the curtain call. Customs vary between works and opera houses; if in doubt, follow the rest of the audience.
What should I wear to the opera?
There is generally no dress code: smart, comfortable clothes are fine in most venues, although opening nights and galas can be dressier. Some summer festivals have their own traditions, so check with the venue if in doubt.
Why rate the acoustics in an opera review?
At the opera, voices are generally not amplified: how well the venue carries the sound matters as much as the quality of the singers. Saying where you sat and what you heard helps other audience members choose their seats. The venue’s rating, meanwhile, is based on comfort, view, access and value for money.
Do reviews from the MyCritik editorial team count towards the rating?
Yes, just like those of any member. They carry the “Editorial” badge and are written by a member of the team who attended the performance, without any consideration from the artist, producer or venue. They follow the same rules as all other reviews.